The blush edit.

The first collection has fifteen silhouettes and, if you lay them out on a table, six colours. That is not an accident. A wardrobe of shoes should behave like a wardrobe of anything else: a few neutrals that go everywhere, a few colours that say something, and nothing that fights the rest.

The neutrals

Ivory is the house’s white: warmer than bone, cooler than cream. It is the Zo Pump, the Dune Slingback and the Siesta Mule, and it is the colour we photograph first because it hides nothing about a line. Noir is the counterweight, the Noir Pump and the Jamison Boot, cut in a black that reads as leather rather than as a void. Chocolate sits between them: the Canyon Boot, the Sonora Sandal and the Agave Kitten Heel, for the days when black feels too sharp.

The colours

Blush is the collection’s signature and the colour on our walls, our set and our boxes. The Rosa Heel, the Mesa Mule and the Adobe Platform wear it in satin and in leather, and it is the one shade we would put next to any of the neutrals without thinking. Sage, in the Verde Pump, is the quiet surprise: green enough to be noticed, grey enough to be worn with everything. Brass, in the Solstice Sandal, is for evenings.

Six colours, fifteen shapes, eleven sizes. Every one of them drawn for every one of you.

How to wear it

Start with a neutral in the shape you wear most; for most women that is a pump. Add the blush in a second shape, a mule or a sandal, so the two never compete for the same outfit. The third pair is the one that is purely for you. Ours would be the Verde Pump.